For markets, museums and guilds

Your roster, in context

We would like to talk with you about what your artists do the rest of the year.

Artists indexed

1,471

Showing at two markets or more

638

Markets on record

7

Three questions worth asking

Which of our artists also show elsewhere — and where? More than six hundred artists here show at two markets or more. A single roster cannot say which of yours are among them.

Who shows at three other markets and has never applied to ours?Proven, actively exhibiting artists who simply have not found their way to your application — a jury pipeline that is currently invisible.

Which of last year’s exhibitors did not come back? And did they stop showing altogether, or are they showing somewhere else?

None of these are answerable from one market’s data. They become answerable the moment the rosters sit together, which is the only thing we are proposing.

What a partnership could look like

The overlap view
Which other markets your artists show at, by year
The pipeline view
Proven exhibitors who have never applied to you
Attrition
Who did not return, and where they went instead
A permanent record for your artists
Showing with you follows them for the rest of their career
Your history, preserved and attributed
Organizing bodies, venues, award results, named as yours

This is where it’s headed. What’s real today is the record underneath it.

What we already hold

Santa Fe Indian Market
Southwestern Association for Indian Arts
1,149 artists
Heard Museum Guild Indian Fair & Market
Heard Museum Guild
594 artists
Winter Indian Market
Southwestern Association for Indian Arts
241 artists
Eiteljorg Indian Market and Festival
Eiteljorg Museum of American Indians and Western Art
145 artists
Cherokee Art Market
Cherokee Nation
143 artists
Autry American Indian Arts Marketplace
Autry Museum of the American West
141 artists
Native Treasures Art Market
Museum of Indian Arts and Culture
0 artists

Assembled from rosters, award lists and archives each organization published.

The objections, answered

“Is our data being sold?” No. Artists are never charged to claim or hold a record, and rosters shared with us are not licensed onward.

“Are you merging our categories into someone else’s?” No. Your classifications appear as you publish them, attributed to you — flag anything off and we’ll square it up quickly. Santa Fe’s Jewelry and the Heard’s are different systems and stay that way.

“Are you competing with us?” No. We run no market and jury no artist. The directory is worth more to an artist the more markets are in it, which means our interest is in every one of you being represented well.

“You published our roster without asking.” That is fair, and we would rather address it than defend it. What is here was drawn from material each organization made public, but publishing something and consenting to see it reassembled elsewhere are not the same thing. This page exists partly to open that conversation.

“What if we want something taken down?” Tell us what it is and we will take it down while we talk it through. We would rather have the conversation with the material offline than argue about it while it is up.

An inquiry, not a pitch. We want to help you understand your artists better, put your roster’s data to work, and make it easier for collectors to find them. If any of this is useful, or if none of it is, we would like to hear either way.

institutions@nativeart.directory

Artists with a question about their own record should write to artists@nativeart.directory, or see For Artists.